The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva

The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva

Over the century and a half of its existence (1648–1793), the Académie royale de peinture et de sculpture amassed a collection of more than 15,000 artworks: paintings, sculptures, prints, drawings, casts, and medals.[1] Its conceptual core was formed by reception pieces (morceaux de réception)—works that young artists submitted for examination…

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Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen

Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen

Between 1725 and 1733, Augustus II the Strong, Elector of Saxony (r. 1694-1733) and King of Poland and Grand Duke of Lithuania (r. 1697-1706, 1709-33), acquired an extraordinarily rare Chinese treasure for his Green Vault (Grünes Gewölbe). In 1723, this private Dresden palace royal treasury, originally known as the Privy…

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Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley

Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley

The culmination of the recent Entangled Pasts exhibition at the Royal Academy, London (3 February–28 April 2024) was undoubtedly Lubaina Himid’s monumental work Naming the Money (2004) (Fig. 1). The exhibition itself was an ambitious and highly admirable engagement by the Royal Academy with its own institutional “entanglement” with colonial and…

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