Rhyme, Not Replication: Curating and Interpreting Almost Unknown – by Jonathan Michael Square and Tyler Horne

Rhyme, Not Replication: Curating and Interpreting Almost Unknown – by Jonathan Michael Square and Tyler Horne

This interview brings together Jonathan Michael Square, curator of Almost Unknown, The Afric-American Picture Gallery (Winterthur Museum, May 2025–January 2026), and Tyler Horne, Tour Programming Assistant at the Winterthur Museum. Inspired by William J. Wilson’s 1859 essay “Afric-American Picture Gallery,” the exhibition, Almost Unknown, brought the essayist’s imagined gallery to…

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Art, Environment, and the Expanded Landscape: A Dialogue – by Stephanie O’Rourke and Kelly Presutti

Art, Environment, and the Expanded Landscape: A Dialogue – by Stephanie O’Rourke and Kelly Presutti

This dialogue brings into conversation two recent volumes on landscape. While they take different approaches, both Stephanie O’Rourke’s Picturing Landscape in an Age of Extraction (University of Chicago Press, 2025) and Kelly Presutti’s Land into Landscape (Yale University Press, 2024) foreground the potential for landscape to reveal new facets of our historical and…

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The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva

The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva

Over the century and a half of its existence (1648–1793), the Académie royale de peinture et de sculpture amassed a collection of more than 15,000 artworks: paintings, sculptures, prints, drawings, casts, and medals.[1] Its conceptual core was formed by reception pieces (morceaux de réception)—works that young artists submitted for examination…

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